This piece is really a test piece as it’s the first I’ve made. I’ve been thinking about making a padlock for some time, but, at this scale, making even a basic key mechanism is outside my skills. Then I saw a knitting stitch marker and that method of closure seemed to be the answer. This one is about 4cm tall, 2cm wide and 5mm thick. It weighs 12g.
This is a development of some work I did making leather dog collars for very valued dogs. This is a wrist sized version in 6mm black leather cord.
This is available from my shop, or, if this doesn’t fit, please consider it as a template for something else you might like. There is a message in this bracelet, but if you know binary and HHGTTG then the answer is ……….
It started life slightly differently with a more adjustable clasp
but in practice this proved difficult to get on and off.
This was a challenge of a commission – a long time in the gestation, but a satisfying result. The brief was for a locket with space for two photographs. My client and I went through a number of iterations in the design to finally decide on this teardrop shape with gold embellishments.
The upper surface is hammered and domed with 9ct gold balls to increase the visual and tactile effect. The inside has two chambers where a photograph can be stored. The photos are held in by a silver circlip.
The hallmarks are on the inside and show not only the traditional London hallmarks, but the crown and 375 marks to acknowledge the gold component.
From the left: my sponsor’s mark (JH), traditional sterling silver mark, silver fineness mark (925), the London Assay Office Mark (Leopard), the date letter (U for 2019), the traditional gold mark and the gold fineness mark (375 or 9 carat).
My client wanted a glider as a keyfob, but, as gliders are designed to be streamlined and aerodynamic, a glider shape would be easily bent and also uncomfortable in the pocket. We decided that a silhouette would be more practical. Also, it has a satin finish as a bright polished finish would soon be scratched.
I’m pleased with these. I was asked to make a pair of earrings in a similar style to the remaining one of a pair. That one had an opal doublet, but I couldn’t source anything the right size. I decided to experiment with powered plastic ‘enamel’ and made these which are a blue background with a sprinkling of green and orange powder to fake the iridescence of an opal.
(Almost) always up for a new challenge, I was asked to make a ring with a phrase stamped on the outside and engraving on the inside. The ring is 2mm thick, which is tricky to bend into shape . The sequencing to get the engraving, sizing, stamping, assay, fabrication and polishing inside and out required thought and scheduling, but it worked and my customer is delighted. Definitely not something to be done in a rush. Sam James Ltd did the engraving for me. I had to practice punching to get the lettering (nearly) in a straight line.
Another addition to my ‘seeds’ range of cufflinks. Each acorn is about 18mm long, Available from my shop. I also have pendants of a similar size available in the shop.
I’ve made this style of ingot before, but this was a gift for an 18th birthday this year and hence it has this year’s date letter ‘U’. This does require a little planning to get the timing right. Unless I have a suitable item in stock, date letters cannot be applied retrospectively – it would make them a bit meaningless really.
Here are a couple of sets of cufflinks I have made recently for customers who had a specific item they wanted mounted.
These are both variants of the mount I usually use for UK 3d pieces, though the carnelian ones are much bigger stones and hence have six claws each for extra security. The coins have standard backs and the carnelians the whale tail variant.
This doesn’t look that exciting. It’s a silver tip or ferrule to replace one lost from an officer’s swagger stick. This is 25mm long and 10mm internal diameter. I’ve done the same sort of thing in different forms and styles for walking and riding sticks.
These are the latest additions to my ammonite range – still the same ammonites – just different forms of jewellery.
I made this pendant a while ago, but forgot to load it into my shop – but it is now.
It’s a piece of quite thick amber in a teardrop shape. I made this surround as a freehand casting using the ‘cuttlefish casting’ method. It is assayed on the rear.
Half round or ‘d’ section rings of silver and 9 carat red gold have been soldered together for this discrete, but different ring.
Apart from the soldering challenge, the exciting aspect of this piece for me is that, in over 40 years of sending work to be assayed, this is my first piece that is marked as ‘mixed metal’. I’ve worked silver and gold before, but this is the first piece that qualified as mixed metal, because the two metals are discrete enough to have different hallmarks. If the metals are not sufficiently clear, then the whole work is marked at the lower standard, which in this case would have been sterling silver.
Here is an expanded and rotated image of the marks.
Because my work is assayed at London, it has the traditional silver and gold marks as well as the modern fineness mark applied as standard. The marks were applied by laser.
My sponsors mark, traditional sterling silver, fineness mark for sterling silver, London Assay Office and the 2019 date letter.
Traditional gold mark and modern 9 carat fineness mark.
Assay and marking does not distinguish the colour of the gold.
This is an example of a 2019 marked ingot.
If you look carefully, you can see the distortion of the metal around the punch marks, particularly by my sponsor’s mark at the top. Laser applied marks do not cause any distortion, but then they are nothing like as deep. Please contact me if you would like something similar. I am only making them to commission, though there are some of earlier years available in my shop.
My client provided the stones for this pair of earrings.
They are small – no more than a centimetre high. The brief was a simple setting with secure ear wires. The client and recipient are delighted with the result. There’s something extra about a gift that where the giver has provided strong input to the design.
This brooch is about 6cm long and has a steel pin on the rear with a pin protector. It ws something of an experiment in embossing patterns by rolling. Tp get this result an oak leaf was rolled between two sheets of annealed copper. The leaf was then sulphided to enhance the detail and then a very thin gold plate was applied. I intend to let the copper border tarnish naturally – we shall see what it looks like in time.
The picture below is an enlargement of the embossing to show the fine detail of the leaf in the copper.
Each brooch will be unique as, although there may be a mirror image available, the leaf is destroyed during the process.
A three strand, twisted and rolled bracelet that is closed, but adjustable. It has heavier gauge wire than I normally use, at the client’s request, to make it a substantial piece of silver jewellery.
These are small pendants 1.5-2 cm – solid silver and full hallmarked, though they are below the minimum requirements. They were cast from a shell found by the client.
This set of cufflinks were a special and thoughtful presents to three brothers. The clients selected and sourced the coins. They are from the reigns of Caracalla, Trajan, Philip, Alexander, Valerian and Gordian.
The support for the coins are domed so that both sides can be examined. The mounts hold the coins securely but non destructively.
These blue mosaic tessera based earrings have been very popular. The story behind them is here. A year or so back, I bought a pack of other colours. This is the sample sheet.
Now to add increased flexibility, I have made stud mounts for the tessera and why not other materials? The rght hand side below has some paua shell I cut to size.
Wikipedia has just told me that paua is the New Zealand name, abalone the US name and ormer the UK name for the same genus.
I have some stock, but contact me with your choice.
This style of ring is made to measure and can be made with any of my available ammonites. Or indeed other objects you may wish to have immortalised in silver.
The key fob of this key ring is cast from a bolt from a bicycle that has special memories for the recipient.
The fob is hallmarked on the head of the bolt. This is an example of the commissioned work I undertake where there is a memory or other connection between the giver and the recipient There is also the pleasure of giving (and for me making) a present that will last many, many years.
The silver cuff I made earlier in the year was very well received and so I was asked to make a gold version. Fortunately, and unusually for me, I kept detailled instructions, so the two cuffs are pretty much identical.
The partner of the earring on the right disappeared and I was asked to make an earring to match it. The owner was happy with a standard pin and butterfy fitting. It isn’t perhaps obvious from the picture but the tube is square section and I could only buy round tube. The solution is to pull the tube through a square drawplate several times to convert the profile. The match was good.
Normally ring hallmarks are on the inside of a ring, requiring a special ‘swan-necked’ punch, but I was asked to produce one with the hallmarks on the outside.
Here the London Assay Office have applied ‘display’ marks that are deep and durable. I’ve also been able to employ one of my slightly larger straight punches.
One of the knuckles on the hinge of the clasp had torn through completely and the others were showing serious wear. It’s a really heavy bracelt and buts a lot of strain on the hinges. They were originally thin-walled tube, but I’ve replaced them with proper thick-walled hinge tube. The hinges should last for years and years now.
I’ve been casting solid silver ammonites for years – brooches, pendants, earrings, charms, rings, paperweights – and have a collection of fossils to cast from. However, I got myself into a complete muddle with descriptions of the various sizes, so I’ve developed a cunning plan.
All my fossil ammonites now have a number and I’ve added the number to the description. Below you can see images of the fossils and their silver equivalents. I’ve added approximate sizes and approximate weights of the silver pieces.
Hopefully this will make it easier when you order from my shop as I will be relisting all the brooches, cufflinks, pendants and rings with their ‘size number’.
My pendants of the White Horse near Uffington, Oxfordshire are described earlier in this blog. I haven’t previously made a brooch – perhaps an obvious omission. Anyway I’ve done one now.
The owner is very pleased with it.
Just what the happy gardener needs
These are just over an inch (2.8cm) long excluding the clip. Available from my web shop. Hand forks or one of each are also options.
The cuff closes over the wrist and the pin on the right secures it closed. The carabiner clasp then secures the pin. The chains are open link to allow charms to be added. My client said
‘Just to let you know the item arrived today as planned and also to say a big Thank You for taking the job on and creating a truely fantastic piece. Really pleased with how you converted my ideas into this.’
A new departure for me – I’m made plenty of earrings, including replacing lost ones, but a cuff is a first for me. This cuff fits between the outer ear and the inner lobe.
The client wanted something plain, but a little heavier and thicker than my normal bracelets. Bright shiny on the outside and satin inside – fully hallmarked. Not one of my more demanding jobs, but something not readily obtainable.
I enjoyed making this commission – I haven’t made a spoon for a while. The finial is a plum stone which I cast using delft clay
Unfortunately, my client has to carry an aerosol spray in case of medical emergency. Between us we came up with a design for a holder on a chain. The tube is about 30mm in diameter and weighs over 100g.
It was in use within minutes of it arriving!
The main hallmarks are on the base with part marks on the friction fit lid.
A client had a beautiful window blue druzy that was not at its best in its previous setting. I created one of my unique fused silver surrounds for the druzy. It now looks spectacular.
My client was delighted and couldn’t wait to try it on.
This apostle spoon was found in a local garden with the aid of a metal detector. I was asked to repair it.
The process of cleaning up after hard soldering up the bowl and stem removed all the tarnish. After a good clean, this is the result.
( I only do repair work on a ‘best endeavours’ basis – see my terms and conditions)
This bowl is 120cm across and is made from fine silver. It was commissioned as a silver wedding present and it has an inscription engraved on the opposite side to the hallmarks.
The hallmarks themselves are interesting in that in addition to the 999 mark, the piece has also been given the Britannia mark. Britannia fineness is 958 parts silver per 1000, so it clearly exceeds that.
A triangular six inch engineers ruler. An interesting exercise and more of a challenge than I anticipated. The front face has the recipient’s name, but I’ve removed that for this post. I designed all the engraving, but it was machine engraved locally.
As with other pictures, it’s difficult to get the lighting right! If I do something like this again, I will make the sides slightly concave.
Evry few years, I’ve been asked to make a pair of cufflinks inspired by the Radley College Clock Tower. These have been leaving presents for members of staff whose room overlooked the Clock Tower.
The 2009 and 2015 versions were etched, but this time I wanted to try something different and more three dimensional. I’ve also made a pendant in the 2018 style. It’s about 5cm high.
As a leaving present for a member of staff, I was asked to make a pendant based on Croomes Tower.
My interpretation is about 5cm tall, the real thing – below – must be about 10 metres. Scaling down that much required some compromises on the level of detail. I had the assay marks placed over the door in lieu of an inscription.
These woggles were commissioned for the groom and supporters at a recent wedding. Each woggle is hallmarked at the rear,
I’ve just added a range of new items onto my shop website. Many of them are featured earlier in this blog. I have made links from the blog posts to the shop.
The new entries include
- the Uffington White Horse range
- lantern earrings and pendnat
- button pendants and cufflinks
These are all described in posts below.
These were a special order as a gift. Though the ingot looks much the same as my other ingots, it is slightly larger and thicker so that it is twice the weight of my normal ingots.
Following the development of the yantra pendant posted earlier, I have now made some more full sized pendants in both silver and copper.
No one yantra is quite the same! The silver pendant is hallmarked, but the earrings are not. Please contact me if you would like to buy from this range. they are available now and will be on my website later in the year.
I make these rings to order. These are two copper strand and one silver, but other permutations are possible from all silver to all copper. One customer said
‘Rings fit perfectly, probably all psychological ,arthritic discomfort has melted away.’
Please note copper rings are not mentioned in the official NHS Nice guidelines for osteoarthritis management. I make no claims whatsoever.