News Blog

I was asked to make a silver near copy of a base metal pendant that had a special meaning for my client.  I actually made two and the one on the left is the client’s and it has been slightly ‘aged’ on request.  You can see it and the original here on Instagram. I quote

‘it’s arrived and frankly I am bowled over by how brilliant it looks. What an amazing job, it’s pretty much exactly how I imagined it. Thank you so much for the great work’

The right hand side one has a different fixing and is on sale in my shop.  They are the same size – about 3cm by 3cm.

I’ve made many fused silver pendants before of a whole range of sizes, but this is my first attempt at fusing gold.  I was unsure it would work with low carat silver but it’s come out fine and has been hgallmarked as 9ct gold.  If you look carefully, you will see the two tones where the red and yellow  gold pieces have blended together.  This weighs 4g and is about 3cm tall.  It’s available from my shop.

I helped to clear out the workshop of a silversmith who had passed away.  In a tobacco tin, I found a dried out seahorse.  I’ve no idea how old it was. I thought it would be fragile, but it has survived me making two delft clay casts from the body.

They have come out really well and are available for purchase from my shop.

 

The date letter for 2020 is a ‘V’.

You can see all the date letters for the last 40+ years here.  I made one for me every year and the one on the left is this year’s one.  All 42, so far, are slightly different.  The one on the right below is for sale in my shop, but I can make them pretty much any size or weight.

 

This piece is really a test piece as it’s the first I’ve made.  I’ve been thinking about making a padlock for some time, but, at this scale,  making even a basic key mechanism is outside my skills.  Then I saw a knitting stitch marker and that method of closure seemed to be the answer.  This one is about 4cm tall, 2cm wide and 5mm thick.  It weighs 12g.

To open the loop is pulled up, then squeezed in slightly so that it can be rotated through the slot.  Simple and secure.  Available from my shop and other sizes available to order.

This was a challenge of a commission – a long time in the gestation, but a satisfying result.   The brief was for a locket with space for two photographs. My client and I went through a number of iterations in the design to finally decide on this teardrop shape with gold embellishments.

The upper surface is hammered and domed with 9ct gold balls to increase the visual and tactile effect.  The inside has two chambers where a photograph can be stored.  The photos are held in by a silver circlip.

The hallmarks are on the inside and show not only the traditional London hallmarks, but the crown and 375 marks to acknowledge the gold component.

From the left:  my sponsor’s mark (JH), traditional sterling silver mark, silver fineness mark (925), the London Assay Office Mark (Leopard), the date letter (U for 2019), the traditional gold mark and the gold fineness mark (375 or 9 carat).

 

My client wanted a glider as a keyfob, but, as gliders are designed to be streamlined and aerodynamic, a  glider shape would be easily bent and also uncomfortable in the pocket.  We decided that a silhouette would be more practical.  Also, it has a satin finish as a bright polished finish would soon be scratched.

I’m pleased with these.  I was asked to make a pair of earrings in a similar style to the remaining one of a pair.   That one had an opal doublet, but I couldn’t source anything the right size.  I decided to experiment with powered plastic ‘enamel’ and made these which are a blue background with a sprinkling of green and orange powder to fake the iridescence of an opal.

(Almost) always up for a new challenge, I was asked to make a ring with a phrase stamped on the outside and engraving on the inside.  The ring is 2mm thick, which is tricky to bend into shape . The sequencing to get the engraving, sizing, stamping, assay, fabrication and polishing inside and out required thought and scheduling, but it worked and my customer is delighted.  Definitely not something to be done in a rush.  Sam James Ltd did the engraving for me.  I had to practice punching to get the lettering (nearly) in a straight line.

Another addition to my ‘seeds’ range of cufflinks.  Each acorn is about 18mm long,  Available from my shop.  I also have pendants of a similar size available in the shop.

I’ve made this style of ingot before, but this was a gift for an 18th birthday this year and hence it has this year’s date letter ‘U’.  This does require a little planning to get the timing right.  Unless I have a suitable item in stock, date letters cannot be applied retrospectively – it would make them a bit meaningless really.

Here are a couple of sets of cufflinks I have made recently for customers who had a specific item they wanted mounted.

These are both variants of the mount I usually use for UK 3d pieces, though the carnelian ones are much bigger stones and hence have six claws each for extra security.  The coins have standard backs and the carnelians the whale tail variant.

This doesn’t look that exciting.  It’s a silver tip or ferrule to replace one lost from an officer’s swagger stick.  This is 25mm long and 10mm internal diameter.  I’ve done the same sort of thing in different forms and styles for walking and riding sticks.

SImilar in concept to the Uffington White Horse brooch, this unicorn pendant has been produced for the 2019 St Hilda’s Gaudy.  For sale here.

These are the latest additions to my ammonite range – still the same ammonites – just different forms of jewellery.

I made this pendant a while ago, but forgot to load it into my shop – but it is now.

It’s a piece of quite thick amber in a teardrop shape. I made this surround as a freehand casting using the ‘cuttlefish casting’ method.   It is assayed on the rear.

These are two pendants cast from acorns.  They are only half thickness yet still heavy at about 45g each. They are hallmarked on the rear.  They are available from my on-line shop.  They would also work as a key fob.  Contact me if that interests you.

Half round or ‘d’ section rings of silver and 9 carat red gold have been soldered together for this discrete, but different ring.

Apart from the soldering challenge, the exciting aspect of this piece for me is that, in over 40 years of sending work to be assayed, this is my first piece that is marked as ‘mixed metal’.  I’ve worked silver and gold before, but this is the first piece that qualified as mixed metal, because the two metals are discrete enough to have different hallmarks.  If the metals are not sufficiently clear, then the whole work is marked at the lower standard, which in this case would have been sterling silver.

Here is an expanded and rotated image of the marks.

Because my work is assayed at London, it has the traditional silver and gold marks as well as the modern fineness mark applied as standard.  The marks were applied by laser.

Top ring

My sponsors mark, traditional sterling silver, fineness mark for sterling silver, London Assay Office and the 2019 date letter.

Middle ring

Traditional gold mark and modern 9 carat fineness mark.

Assay and marking does not distinguish the colour of the gold.

This is an example of a 2019 marked ingot.

If you look carefully, you can see the distortion of the metal around the punch marks, particularly by my sponsor’s mark at the top.  Laser applied marks do not cause any distortion, but then they are nothing like as deep.  Please contact me if you would like something similar.  I am only making them to commission, though there are some of earlier years available in my shop.

My client provided the stones for this pair of earrings.

They are small – no more than a centimetre high.  The brief was a simple setting with secure ear wires.   The client and recipient are delighted with the result.  There’s something extra about a gift that where the giver has provided strong input to the design.

 

This brooch is about 6cm long and has a steel pin on the rear with a pin protector.  It ws something of an experiment in embossing patterns by rolling.  Tp get this result an oak leaf was rolled between two sheets of annealed copper.  The leaf was then sulphided to enhance the detail and then a very thin gold plate was applied.  I intend to let the copper border tarnish naturally – we shall see what it looks like in time.

The picture below is an enlargement of the embossing to show the fine detail of the leaf in the copper.

Each brooch will be unique as, although there may be a mirror image available, the leaf is destroyed during the process.

A three strand, twisted and rolled bracelet that is closed, but adjustable.  It has heavier gauge wire than I normally use, at the client’s request, to make it a substantial piece of silver jewellery.

These are small pendants 1.5-2 cm – solid silver and full hallmarked, though they are below the minimum requirements.  They were cast from a shell found by the client.

This set of cufflinks were a special and thoughtful presents to three brothers.  The clients selected and sourced the coins.  They are from the reigns of Caracalla, Trajan, Philip, Alexander, Valerian and Gordian.

The support for the coins are domed so that both sides can be examined.  The mounts hold the coins securely but non destructively.

These blue mosaic tessera based earrings have been very popular.  The story behind them is here. A year or so back, I bought a pack of other colours.  This is the sample sheet.

Now to add increased flexibility, I have made stud mounts for the tessera and why not other materials?  The rght hand side below has some paua shell I cut to size.

Wikipedia has just told me that paua is the New Zealand name, abalone the US name and ormer the UK name for the same genus.

I have some stock, but contact me with your choice.

This style of ring is made to measure and can be made with any of my available ammonites.  Or indeed other objects you may wish to have immortalised in silver.

The key fob of this key ring is cast from a bolt from a bicycle that has special memories for the recipient.

The fob is hallmarked on the head of the bolt.  This is an example of the commissioned work I undertake where there is a memory or other connection between the giver and the recipient  There is also the pleasure of giving (and for me making) a present that will last many, many years.

The silver cuff I made earlier in the year was very well received and so I was asked to make a gold version.  Fortunately, and unusually for me, I kept detailled instructions, so the two cuffs are pretty much identical.

Normally ring hallmarks are on the inside of a ring, requiring a special ‘swan-necked’ punch, but I was asked to produce one with the hallmarks on the outside.

Here the London Assay Office have applied ‘display’ marks that are deep and durable.  I’ve also been able to employ one of my slightly larger straight punches.

My pendants of the White Horse near Uffington, Oxfordshire are described earlier in this blog.  I haven’t previously made a brooch – perhaps an obvious omission.  Anyway I’ve done one now.

 

The owner is very pleased with it.

Just what the happy gardener needs

These are just over an inch (2.8cm) long excluding the clip.  Available from my web shop.  Hand forks or one of  each are also options.

The cuff closes over the wrist and the pin on the right secures it closed.  The carabiner clasp then secures the pin.  The chains are open link to allow charms to be added. My client said

‘Just to let you know the item arrived today as planned and also to say a big Thank You for taking the job on and creating a truely fantastic piece.  Really pleased with how you converted my ideas into this.’

A new departure for me – I’m made plenty of earrings, including replacing lost ones, but a cuff is a first for me.  This cuff fits between the outer ear and the inner lobe.

The client wanted something plain, but a little heavier and thicker than my normal bracelets.  Bright shiny on the outside and satin inside – fully hallmarked. Not one of my more demanding jobs, but something not readily obtainable.

I enjoyed making this commission – I haven’t made a spoon for a while.  The finial is a plum stone which I cast using delft clay

Unfortunately, my client has to carry an aerosol spray in case of medical emergency.  Between us we came up with a design for a holder on a chain.  The tube is about 30mm in diameter and weighs over 100g.

It was in use within minutes of it arriving!

The main hallmarks are on the base with part marks on the friction fit lid.

A client had a beautiful window blue druzy that was not at its best in its previous setting.  I created one of my unique fused silver surrounds for the druzy. It now looks spectacular.

My client was delighted and couldn’t wait to try it on.

This bowl is 120cm across and is made from fine silver.  It was commissioned as a silver wedding present and it has an inscription engraved on the opposite side to the hallmarks.

The hallmarks themselves are interesting in that in addition to the 999 mark, the piece has also been given the Britannia mark.  Britannia fineness is 958 parts silver per 1000, so it clearly exceeds that.

A triangular  six inch engineers ruler.  An interesting exercise and more of a challenge than I anticipated.  The front face has the recipient’s name, but I’ve removed that for this post.  I designed all the engraving, but it was machine engraved locally.

As with other pictures, it’s difficult to get the lighting right!  If I do something like this again, I will make the sides slightly concave.

Evry few years, I’ve been asked to make a pair of cufflinks inspired by the Radley College Clock Tower.  These have been leaving presents for members of staff whose room overlooked the Clock Tower.

The 2009  and 2015 versions were etched, but this time I wanted to try something different and more three dimensional.  I’ve also made a pendant in the 2018 style.  It’s about 5cm high.

As a leaving present for a member of staff, I was asked to make a pendant based on Croomes Tower.

My interpretation is about 5cm tall, the real thing – below – must be about 10 metres.  Scaling down that much required some compromises on the level of detail.  I had the assay marks placed over the door in lieu of an inscription.