Category: New work

SImilar in concept to the Uffington White Horse brooch, this unicorn pendant has been produced for the 2019 St Hilda’s Gaudy.  For sale after that event here.

These are the latest additions to my ammonite range – still the same ammonites – just different forms of jewellery.

I made this pendant a while ago, but forgot to load it into my shop – but it is now.

It’s a piece of quite thick amber in a teardrop shape. I made this surround as a freehand casting using the ‘cuttlefish casting’ method.   It is assayed on the rear.

These are two pendants cast from acorns.  They are only half thickness yet still heavy at about 45g each. They are hallmarked on the rear.  They are available from my on-line shop.  They would also work as a key fob.  Contact me if that interests you.

Half round or ‘d’ section rings of silver and 9 carat red gold have been soldered together for this discrete, but different ring.

Apart from the soldering challenge, the exciting aspect of this piece for me is that, in over 40 years of sending work to be assayed, this is my first piece that is marked as ‘mixed metal’.  I’ve worked silver and gold before, but this is the first piece that qualified as mixed metal, because the two metals are discrete enough to have different hallmarks.  If the metals are not sufficiently clear, then the whole work is marked at the lower standard, which in this case would have been sterling silver.

Here is an expanded and rotated image of the marks.

Because my work is assayed at London, it has the traditional silver and gold marks as well as the modern fineness mark applied as standard.  The marks were applied by laser.

Top ring

My sponsors mark, traditional sterling silver, fineness mark for sterling silver, London Assay Office and the 2019 date letter.

Middle ring

Traditional gold mark and modern 9 carat fineness mark.

Assay and marking does not distinguish the colour of the gold.

This is an example of a 2019 marked ingot.

If you look carefully, you can see the distortion of the metal around the punch marks, particularly by my sponsor’s mark at the top.  Laser applied marks do not cause any distortion, but then they are nothing like as deep.  Please contact me if you would like something similar.  I am only making them to commission, though there are some of earlier years available in my shop.

My client provided the stones for this pair of earrings.

They are small – no more than a centimetre high.  The brief was a simple setting with secure ear wires.   The client and recipient are delighted with the result.  There’s something extra about a gift that where the giver has provided strong input to the design.

 

This brooch is about 6cm long and has a steel pin on the rear with a pin protector.  It ws something of an experiment in embossing patterns by rolling.  Tp get this result an oak leaf was rolled between two sheets of annealed copper.  The leaf was then sulphided to enhance the detail and then a very thin gold plate was applied.  I intend to let the copper border tarnish naturally – we shall see what it looks like in time.

The picture below is an enlargement of the embossing to show the fine detail of the leaf in the copper.

Each brooch will be unique as, although there may be a mirror image available, the leaf is destroyed during the process.

A three strand, twisted and rolled bracelet that is closed, but adjustable.  It has heavier gauge wire than I normally use, at the client’s request, to make it a substantial piece of silver jewellery.

These are small pendants 1.5-2 cm – solid silver and full hallmarked, though they are below the minimum requirements.  They were cast from a shell found by the client.

This set of cufflinks were a special and thoughtful presents to three brothers.  The clients selected and sourced the coins.  They are from the reigns of Caracalla, Trajan, Philip, Alexander, Valerian and Gordian.

The support for the coins are domed so that both sides can be examined.  The mounts hold the coins securely but non destructively.

These blue mosaic tessera based earrings have been very popular.  The story behind them is here. A year or so back, I bought a pack of other colours.  This is the sample sheet.

Now to add increased flexibility, I have made stud mounts for the tessera and why not other materials?  The rght hand side below has some paua shell I cut to size.

Wikipedia has just told me that paua is the New Zealand name, abalone the US name and ormer the UK name for the same genus.

I have some stock, but contact me with your choice.

This style of ring is made to measure and can be made with any of my available ammonites.  Or indeed other objects you may wish to have immortalised in silver.

The key fob of this key ring is cast from a bolt from a bicycle that has special memories for the recipient.

The fob is hallmarked on the head of the bolt.  This is an example of the commissioned work I undertake where there is a memory or other connection between the giver and the recipient  There is also the pleasure of giving (and for me making) a present that will last many, many years.

The silver cuff I made earlier in the year was very well received and so I was asked to make a gold version.  Fortunately, and unusually for me, I kept detailled instructions, so the two cuffs are pretty much identical.

Normally ring hallmarks are on the inside of a ring, requiring a special ‘swan-necked’ punch, but I was asked to produce one with the hallmarks on the outside.

Here the London Assay Office have applied ‘display’ marks that are deep and durable.  I’ve also been able to employ one of my slightly larger straight punches.

My pendants of the White Horse near Uffington, Oxfordshire are described earlier in this blog.  I haven’t previously made a brooch – perhaps an obvious omission.  Anyway I’ve done one now.

 

The owner is very pleased with it.

Just what the happy gardener needs

These are just over an inch (2.8cm) long excluding the clip.  Available from my web shop.  Hand forks or one of  each are also options.

The cuff closes over the wrist and the pin on the right secures it closed.  The carabiner clasp then secures the pin.  The chains are open link to allow charms to be added. My client said

‘Just to let you know the item arrived today as planned and also to say a big Thank You for taking the job on and creating a truely fantastic piece.  Really pleased with how you converted my ideas into this.’

A new departure for me – I’m made plenty of earrings, including replacing lost ones, but a cuff is a first for me.  This cuff fits between the outer ear and the inner lobe.

The client wanted something plain, but a little heavier and thicker than my normal bracelets.  Bright shiny on the outside and satin inside – fully hallmarked. Not one of my more demanding jobs, but something not readily obtainable.

I enjoyed making this commission – I haven’t made a spoon for a while.  The finial is a plum stone which I cast using delft clay

Unfortunately, my client has to carry an aerosol spray in case of medical emergency.  Between us we came up with a design for a holder on a chain.  The tube is about 30mm in diameter and weighs over 100g.

It was in use within minutes of it arriving!

The main hallmarks are on the base with part marks on the friction fit lid.

A client had a beautiful window blue druzy that was not at its best in its previous setting.  I created one of my unique fused silver surrounds for the druzy. It now looks spectacular.

My client was delighted and couldn’t wait to try it on.

This bowl is 120cm across and is made from fine silver.  It was commissioned as a silver wedding present and it has an inscription engraved on the opposite side to the hallmarks.

The hallmarks themselves are interesting in that in addition to the 999 mark, the piece has also been given the Britannia mark.  Britannia fineness is 958 parts silver per 1000, so it clearly exceeds that.

A triangular  six inch engineers ruler.  An interesting exercise and more of a challenge than I anticipated.  The front face has the recipient’s name, but I’ve removed that for this post.  I designed all the engraving, but it was machine engraved locally.

As with other pictures, it’s difficult to get the lighting right!  If I do something like this again, I will make the sides slightly concave.

Evry few years, I’ve been asked to make a pair of cufflinks inspired by the Radley College Clock Tower.  These have been leaving presents for members of staff whose room overlooked the Clock Tower.

The 2009  and 2015 versions were etched, but this time I wanted to try something different and more three dimensional.  I’ve also made a pendant in the 2018 style.  It’s about 5cm high.

As a leaving present for a member of staff, I was asked to make a pendant based on Croomes Tower.

My interpretation is about 5cm tall, the real thing – below – must be about 10 metres.  Scaling down that much required some compromises on the level of detail.  I had the assay marks placed over the door in lieu of an inscription.

 

These woggles were commissioned for the groom and supporters at a recent wedding.  Each woggle is hallmarked at the rear,

Following the development of the yantra pendant posted earlier, I have now made some more full sized pendants in both silver and copper.

No one yantra is quite the same! The silver pendant is hallmarked, but the earrings are not.  Please contact me if you would like to buy from this range.  they are available now and will be on my website later in the year.

I make these rings to order.  These are two copper strand and one silver, but other permutations are possible from all silver to all copper.  One customer said

‘Rings fit perfectly, probably all psychological ,arthritic discomfort has melted away.’

Please note copper rings are not mentioned in  the official NHS Nice guidelines for osteoarthritis management.  I make no claims whatsoever.

 

 

This latest collar improves on the previous solid version by having a hinge to make it easier to fit.  Also, of the three ‘ sizing ‘ slots, only the outer was to be used, which simplified the design.  The collar has a perimeter of 38 cm and weighs over 200g.

The padlock  is a Tiffany one – I haven’t attempted one yet.  The engraving was done by Sam James Ltd.

‘I LOVE it. Beautiful!! Thank you John!’

Not one of my best photos and the ring wasn’t finished at this point, but this is ring is a present for someone for whom the Orion Nebula is special.

Not much else to say – a commission.  Thick silver sheet for durability. The panther is about 5cm toe to tail.

A set of three ingots with ideograms engraved – health, happiness and success.

They were required for a special birthday early in 2018.  To avoid stress, the engraving was done in 2017 (not by me!) and the assay done in 2018 so that the date letter was correct.  However a normal stamped hallmark could damage the ideograms so they were laser hallmarked.

They have extra depth to ensure longevity.

Thank you so much for the beautifully finished necklaces I commissioned from you.  You took time to understand what I was asking for and suggested how this could be created.  The necklaces are wonderful.  I am really finding it hard to find a description that does them justice.  Thank you.

 

I’m ocasionally asked whether I work in gold.  The answer is yes – but only on request.  Here are two recent examples.  The earrings are about 20mm in diameter.  The ring was made to complement a similar silver ring.

I decided to make a lozenge or diamond shape this year rather than my normal rectangular shape.  I have one available from my shop, but otherwise 2018 ingots – of whatever shape is required – can be made on request.

Not much more to be said.  A minimalist design giving full emphasis to the coins themselves.  I think the coins are Chinese.

Such an obvious omission from my range.  This was a request, but it will be in my shop shortly after I have cast some more hazelnuts.

I understand this design is a very much simplified form of a thai tiger tattoo.  It has a certain pleasing symmetry and simplicity.

The client and I discussed various permutations after I made a few copper test pieces – adding gemstones in the loops or having the shape on a backing sheet forming a further geometric shape, but we decided embellishments would  not complement the basic shape.

Silver and copper versions are available in my shop here.  Silver earrings are in my shop here.

The White Horses in this variant are the same size as the earlier pendant, but in this commission they were requested to be on a green background.  Each horse is in a silver oval with the edge about the same height as the horse.  The green, low temperature enamel provides the required colour, but only as a relatively thin layer so that the horse stands proud of the enamel –  a reversal of the real thing where the white chalk layer is slightly below ground level (if I remember correctly).  These pendants are Christmas gifts from a mother to three daughters.  As ever when I make multiples, as each was hand cut separately, they have minor differences.

Jewellery and other siilverware based on the Uffington White Horse is available in my shop here.

Recalling a private joke between a mother and two daughters,  I was asked to make a pair of snails as ornaments.  I’ve made frogs, ducks, cats and dogs so why not!

They remind me of Brian on ‘The Magic Roundabout’.  They are about 45mm wide.

This is my second pectoral cross – this time for Abbot Thomas of Mucknell Abbey.  Mucknell Abbey is home to a Benedictine community of men and women within the Church of England.

Abbot Thomas had a clear idea of what he wanted and we worked together to finalise the design.  The hand engraved groove was contracted out as this isn’t a skill I am comfortable with.  The cross is about 70 cm wide and weighs about 50g.  It is hallmarked on the rear.

 

This beautiful Roman coin stamped from gold sheet is in excellent condition.  The sheet was probably hammered out from a small ball, hence its irregular shape.  Though the die and punch are round, the sheet was not then trimmed after stamping. The mount I made for it is simple, so not as detract from the coin and is completely non destructive.  The coin is gently pinched in place.  A window in the back of the mount gives a good view of the reverse of the coin.

These cufflinks are a gift to the owner of ‘Wild Thing’ – a modified landrover used for off road competitions.

This pair of rings are probably twice the weight of the commercial equivalents.   I know a man who does the engraving – letter, size and font as chosen by the client.

The horse is about 5cm long and at the limit of my skills to cut from silver sheet.  For this commission, it was important that the horse was as realistic as possible and so it had to be on a backing as two legs are not connected to the body in reality.  Also the mechanical strength of the silver would mean that a freestanding version would be too vulnerable to damage.

Jewellery and other siilverware based on the Uffington White Horse is available in my shop here.

2/6 – half a crown or 12.5d in new(! post 1971) money.  This is will make a pendant of interest for someone.  It is 50% silver so worth more than face value. The silver band is formed around the coin, so it is very secure, but does not damage the coin in any way so my method is safe for all sizes and value of coin.  I have some Roman bronze coins mounted this way in my shop.

 

It’s the same lantern as the earrings in the post below, but here is one with a clear stone as a pendant.  Also from this angle, you can just see the hallmark lasered on the base.    The lantern is 12mm across and weighs about 5g.

It is available to buy from my shop, or contact me if you want a different stone.